This piece was first performed on 26th May, 2012, at Halifax Minster. The performance was given by the Leeds University Liturgical Choir, with Jonathan Tobutt (oboist), Richard Rastall (speaker), and Bryan White (conductor), with the composer at the organ.
I've put this simple website together in case it's of interest to any of you who took part in the piece: I'm so grateful to you all and was delighted with how you all performed. You might find some of the photos give a bit of context to the words...
I'm also particularly grateful to Murdoch MacDonald, for his inspirational writing, and for permission to use his words in this piece.
Please let me know if you'd like any more background, or have questions, comment, etc. - I've loads more photos, writing, etc. if anyone is interested. (This site also has a few write-ups from our latest summer visit to Torridon, mainly aimed at hill-walkers etc. Also some photos from our recent winter trip there.). You can use my home number or e-mail if you have it; otherwise please e-mail me at D.R.H.Gordon@leeds.ac.uk.
Many thanks!
Dan.
Files: as a matter of courtesy (and for copyright), please let me know if you are downloading any of these. | Words (PDF format) | Recording of first performance (MP3 format: approx 12 MegaBytes) |
Torridon's highest peaks are celebrated in Scottish hill-walking circles, but this far corner of the Highlands remains remote and wild, its beauty intoxicating but austere, its history poignant. Even now, no-one wrests an easy living from here. Yet it is a haven for some - distant fastnesses a world away from modern ills. Wildlife also finds refuge here, for all the land's sparseness of fertility, and its vulnerability.
Murdoch MacDonald's wonderfully evocative yet unsentimental writing about Torridon has guided many of our wanderings there, and given us much to reflect on back home. With the place itself, his books are the inspiration for my efforts.
Religion in Wester Ross has a long and mixed provenance, but the Psalms have played a prominent role in recent centuries. Psalm 90 seemed quite apposite as a reflection of the nature of life there. I have attempted to link the two, with quotations from Murdoch's writing being spoken, and parts of the Psalm sung. The use of cor anglais, oboe, and oboe d'Amore for the three sections of the piece is intended to reflect their respective themes: the frailty of humanity with the eternity of God, harshness in human existence, and renewal/faith. Only at the very end do the choir sing from the Torridon text - "fragile shell".
There are some rather more constant threads: timelessness - the world's apparent, and the divine's actual. Also the death of children. Psalm 90 calls for God to return, and for "children of man" to "turn again". Turn, return... infant death is a slight paraphrase of this, but it is a harsh reality of human life, particularly under forced starvation such as that of the Highland Clearances.
To some extent this piece takes a Christian perspective on the Psalm - I omit ascribing the harshness of human life to divine anger, for example, which is more an Old than New Testament concept. The piece also uses the Psalm's words to hint at the eternity yet fragility of the divine: the offstage cor anglais is to some extent a small, enduring voice. This more prophetic aspect of the Psalms is perhaps appropriate: in the Highlands they have always been used in worship where the Gospels are central.
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